
Correcting Oscar’s Six-Year Snub of Film Editing
Of the many crafts essential to making movies, only editing came into existence because of the medium itself. […]
Of the many crafts essential to making movies, only editing came into existence because of the medium itself. […]
It was the film serials, from the early days of cinema, that were the true forerunners of contemporary franchise pictures and tent-pole releases. […]
As the motion picture industry grew during the silent era, Hollywood borrowed the serialization of stories from magazines and the cliffhanger from popular drama to create the movie serial. […]
For over 100 years now, from episode to episode and sequel to sequel, whether serial or series or saga, these entertainments have drawn the interest and attention of vast audiences. […]
“When did ADR start?” It was a simple question, and our director was fond of asking simple questions. […]
The year was 1976. The place was the New York brownstone of editor Ralph Rosenblum, ACE. And the film was Woody Allen’s Annie Hall, released the following year to wide acclaim and four Oscar wins. One day after work, Allen and Susan E. Morse, ACE — later his main editor, then an assistant editor — found themselves leaving the cutting room at about the same time. […]
In the following articles you will find the complete lists of Film Editing, Sound Editing and Sound Mixing Oscar winners to date, recipients of the archaic Special Effects. In addition, there is ‘Oscars That Should Have Been’. […]
“I try to cut every film I do with a fresh eye; I don’t go with a pattern or anything. I just read it, assimilate it and cut it.” – Anne V. Coates […]
Robert Wise’s memories were remarkably precise and full of stories about editing ‘Citizen Kane’. […]
Letters from our readers regarding the ‘Moviola Mavens’, 1930’s editing, and documentary editing. […]
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