Tom Fleischman, CAS Honoree, Talks Tricks, Techniques, and Films, from ‘Boys in the Band’ to ‘Irishman’
“I’ve always wished someone would invent a device that I could put on my head and think about how the film should sound.” […]
“I’ve always wished someone would invent a device that I could put on my head and think about how the film should sound.” […]
Music Editor Sally Boldt recalls the making of ‘Groundhog Day,’ again and again and… […]
“We were continually changing the picture, changing the scene, because sometimes we didn’t even have two continuous shots together.” […]
“This is the most narcissistic thing a person could do.” […]
“The cars became characters in their own right – big and bold and real.” […]
“It all depended on how Kate Corbaley narrated the story.” […]
“A Primetime Emmy Nominated Sound Editor knows for his work on ‘4 Little Girls’ doc, ‘Beasts of No Nation,’ and much more” […]
My intro to picture editing was “Do the Right Thing”!” […]
“In a billion years, the sun is going to burn out and every memory humanity holds will disappear into the void.” […]
The Guild’s two top leaders are honored. […]
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