Kayla Emter On Editing Club Scenes, Chopin Music and J-Lo’s Sexy Pole Dance in Lorene Scafaria’s ‘Hustlers’
“There were a few dance moves that made my jaw drop.” […]
“There were a few dance moves that made my jaw drop.” […]
“It was extremely difficult to find more than the skimpiest info about editors, so I just kept digging and digging.” […]
“’Ad Astra’ is an existential journey. The further Roy McBride travels out into space, the deeper we go into his soul. It’s really a dive into the subconscious.” […]
“I recognized early on what this kid was going through and how he felt.” […]
The director fought censors on both sides of the Atlantic from the start of his career to the very last. […]
“We very consciously wanted to create the late Seventies in Hell’s Kitchen, which was massively dirty. It was loud and it was nasty.” […]
“This was a huge volume of footage, making it one of the most challenging projects of my career,” says Jordan. […]
“During production, Quentin does not enter the editing room. He doesn’t want to look at any edited footage because he just wants to focus on shooting the movie.” […]
Cathy Repola of MPEG says that “sensationalized headlines” about the California bill have “created a great deal of confusion among our members.” […]
“Growing up, I always dreamt of seeing a Latina heroine on TV or in the movies.” […]
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