Features
Thelma Schoonmaker Talks of Editing, Aging, and Endings in Martin Scorsese’s ‘The Irishman’
“You never know what is going to happen when you put two pieces of film together.” […]
Film
Awards
Oscars 2020: Here are All the MPEG Members Nominated for Academy Awards
The Oscar ceremony will be held February 9 at the Dolby Theater in Hollywood and will be telecast live on ABC. […]
Web Exclusives
Jennifer Lame Talks About Editing the Breakup of Adam Driver and Scarlett Johansson in ‘Marriage Story’
“If the story is good and the characters are good, then the movie is going to be good.” […]
Awards
How Marty Cohen, Recipient of MPEG’s 2019 Fellowship and Service Award, Became a Post-Production Giant
“I’m an editor at heart.” […]
Web Exclusives
Monica Salazar and Dominic LaPerriere Unpack the ‘Unusual’ Editing Process Behind Shia LaBeouf’s ‘Honey Boy’
“We were bouncing ideas off each other, and picking up the cuts of each other.” […]
Web Exclusives
Oscar-Nominated Editor Joe Klotz Talks About Bringing It All Back Home in ‘Motherless Brooklyn’
“We had different noir films that were our touchstones, like ‘Chinatown’ in particular.” […]
Web Exclusives
Web Exclusives
Jeff Groth on Editing Joaquin Phoenix in ‘Joker’: ‘He Was Free to Experiment, So He Did’
“We wanted to do something different, not just from Batman, but from all comic-based films.” […]
Web Exclusives
Tom Eagles on Editing Taika Waititi’s ‘Bonkers’ Hitler Movie ‘Jojo Rabbit:’ The ‘Tone Was a Tightrope Walk From the Start’
“We had to make people feel comfortable enough to laugh, without beveling off any of the hard edges or flinching from the subject matter.” […]
Web Exclusives
Kayla Emter On Editing Club Scenes, Chopin Music and J-Lo’s Sexy Pole Dance in Lorene Scafaria’s ‘Hustlers’
“There were a few dance moves that made my jaw drop.” […]
