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Stanley Donen’s Two For the Road (1967)
It’s a journey of marriage, with all its highs and lows and in-betweens. […]
It’s a journey of marriage, with all its highs and lows and in-betweens. […]
Carol Littleton, ACE, has never been one to sit back and wait for something to happen. Instead, she makes things happen. […]
During a busy and productive career that spans 60 years in film and television, sound editor Don Hall––the 2011 recipient of the Editors Guild’s prestigious Fellowship and Service Award, to be presented to him at a ceremony scheduled for October 15––has collaborated with a number of prominent directors. […]
It’s more about a man’s journey and struggle against conventional wisdom than it is about Baseball,” says editor Christopher Tellefsen, A.C.E. The film he’s discussing is Moneyball, which opens September 23 through Columbia Pictures, and the man is Billy Beane, por- trayed by Brad Pitt. Based on Michael Lewis’ non-fiction book of the same name, it tells the story of Beane, a star high school athlete with a keen mind who played big league Baseball for five years, not particularly distinguishing himself. […]
I started editing quarter-inch reels of recorded audio sessions, then got bumped up to an assistant working with film on a Moviola. I was surprised by how much I liked it.
Forty years ago, Steven Spielberg transformed television narrative with his made-for-TV movie Duel, which aired on ABC in November 1971. […]
The re-publication of this invaluable tome by Karel Reisz and Gavin Millar is a cause for celebration among editors and filmmakers. […]
Film flows deeply through the blood of editor Christopher Rouse, A.C.E., as a third-generation participant in the industry. […]
Richard Halsey, A.C.E., lives by three rules: Be organized, listen to your intuition and always tell the truth. These are rules that the editor applies to his work, as well as to his life. Of course, Halsey says, it’s not always easy. […]
Robert C. Jones grew up in the film industry; his father, Harmon Jones, was a feature film editor (Gentleman’s Agreement, Panic in the Streets, among others) and later TV director (Rawhide, Perry Mason and Death Valley Days). […]
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