Robert C. Jones grew up in the film industry; his father, Harmon Jones, was a feature film editor (Gentleman’s Agreement, Panic in the Streets, among others) and later TV director (Rawhide, Perry Mason and Death Valley Days). […]
Few people are privy to the secrets of filmmaker Christopher Nolan’s new science-fiction adventure Interstellar — and those who are aren’t talking. One person who knows Interstellar more intimately than most is editor Lee Smith, ACE, […]
The independent movie is infused with the iconic sounds of the 1960s group and shows the in-studio process. […]
This year, as part of its annual selection of fully restored classics, the 72nd International Venice Film Festival presented, along with Federico Fellini’s Amarcord (1973), Akira Kurosawa’s Red Beard (1965) and Sergei Eisenstein’ Alexander Nevsky (1938), among others, Charles Burnett’s To Sleep with Anger (1990) — the most recently made of all the dramatic features chosen. […]
by Peter Tonguette As personal projects go, Bob Fosse’s All That Jazz is hard to top. The 1979 musical drama […]
I’ve worked in NBC’s News Film Archive since 2005. I work freelance, which gives me a nicer contract with a better pay rate, and I still have the MPI health and pension plans. I’m a film librarian and, since 2015, I have been the “chief.” […]
In 2004, after spending a decade working with Martin Scorsese and Thelma Schoonmaker, ACE, assistant editor Tom Foligno finally got his first chance to be an editor. It wasn’t in the cutting room, however, but on the big screen. […]
A compilation of praise for award winning editor, Dede Allen […]
Production felt like endless problem solving––whereas editing was about storytelling using a vocabulary of images and sounds, and that excited me. […]
CineMontage sat down with the two collaborators at Cox’s cutting room at Malpaso on the Warner lot as they were finishing post-production on Gran Torino.
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