Features
Billy Fox Talks Editing the Military Drama ‘Devotion’
“What bounced in my head a lot was the concept of devotion.” […]
Film
Awards
For Your Consideration: Studio DVD Award Screeners Are Wasteful and Need to Go (OPINION)
Instead of placing the burden on the members who receive these DVDs by no choice of their own, media companies should assume responsibility for the problem they’ve created. […]
Features
On the Road Again: Editor Paul Hirsch Remembers ‘Planes, Trains and Automobiles’
By Peter Tonguette Neal Page and Del Griffith are on the road again. The famous cinematic odd couple — amusingly […]
Web Exclusives
Scott Gershin on Finding the Right Sounds for Guillermo del Toro’s ‘Pinocchio’
“What I found challenging and what required a journey was to find the sound of Pinocchio. Let’s start with wood, so you bang pieces of wood together and you go, ‘Well that doesn’t work.'” […]
Features
William Caparella Talks About Editing ‘Luck’ and How to Have a Career in Animation
“I think the best thing is having a vision, because it is animation. We don’t have any guide or source track. We build everything from nothing, literally a blank piece of paper.” […]
Web Exclusives
Mike Sale on Editing ‘Black Adam,’ Judd Apatow Movies, and Developing Survival Skills
“I had worked at a movie theater where I saw hundreds of movies in front of audiences, from the late ’70s to the mid-’80s. I watched them so many times—things like ‘E.T.’—that I could tell you what the audience was going to do.” […]
Web Exclusives
WHAT OUR MEMBERS DO: Michelle Inzunza, Second Assistant Editor
“After I took my first editing class, I was hooked. It’s funny, because I remember thinking I would never be an editor because it seemed too hard — but once I tried it, I had a lot of fun and wanted to continue learning.” […]
Web Exclusives
Ron Patane on Editing ‘Till’ to Make an ‘Emotional Experience’ From Civil Rights History
“I’m a middle-aged, white male editing the Emmett Till story. We talked about that.” […]
Web Exclusives
Chris Witt Talks Editing the Bank Heist Film ‘Breaking’
“Because of the way I bootstrapped my career, it has been very wide, eclectic and involved many genres.” […]
Web Exclusives
How Brian Kates Brought His Journey With Queer Cinema Home to ‘Fire Island’
“It’s unnatural for me to think about my editorial voice, because an editor’s job is to take our stylistic cues from the director and become one with the material.” […]
