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The Beat Goes On: Jillinda Palmer on the Joys and Challenges of Music Editing
By Kristin Marguerite Doidge Film music should be felt and not necessarily heard. That’s one of the central tenets music […]
By Kristin Marguerite Doidge Film music should be felt and not necessarily heard. That’s one of the central tenets music […]
“In my opinion, it’s a three-dimensional career.” […]
“Over the years, I noticed that many aspiring and novice filmmakers, as well as composers, music editors, and music supervisors recognize the need for music but struggle with figuring out where and how to use music in their productions.” […]
The 75 Best Edited Films’ years of release range from the 1920s to the 2010s — with 3 titles each in both of those decades. Most of the films cited are from the 1970s (17), followed by the ‘90s (16), the ‘60s (13), the ‘50s (8), the ‘00s (7), the ‘80s (5) and the ‘40s (3). Curiously, there were no films chosen from the 1930s. […]
“I was just searching for accordions in my library.”
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The Guild of Music Supervisors held their 11th annual awards virtually Sunday, celebrating outstanding achievement in the craft of music supervision in film, television, documentary, games, advertising and trailers. Quincy Jones received […]
MPEG members cleaned up again – in a year marked by the pandemic […]
“I started as a musician when I was seven years old.” […]
“I’ve known since I was a boy I wanted to make music.” […]
Sound pros weigh in on the best equalization tools for the job […]
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