Features
Minding Their Beats and Cues: Despite Some Discord, Music Editors Play On
Stephanie Lowry provides a roadmap to some of the issues being dealt with by the rank and file music editors. […]
Music Editors
Features
Soundtrack Diplomacy: Music Editor Joseph DeBeasi’s Role as Interpreter
Joseph DeBeasi has worked as a music editor and composer. Throughout his career, he has developed a keen sense of his job, as it has developed over time, as technician, creative, diplomat and interpreter. […]
Web Exclusives
What Do ‘Electric Dreams’ Sound Like?
“Our original idea for ‘Philip K. Dick’s Electric Dreams’ originated five years ago, when we discussed the idea of an anthology series of the author’s short stories with diverse points of view” […]
Columns
Stephanie Lowry on ‘61*’
Even if she was not a lifelong fan of the New York Yankees, music editor Stephanie Lowry would have been proud of having worked on the made-for-television movie ’61*.’ […]
Features
Leaving a Sonic Fingerprint
Music Editor Mikael Sandgren Makes His Mark in the Indie World
Mikael Sandgren likes to keep busy. He straddles the worlds of indie film, studio film and television, major commercial campaigns and even video games. […]
Guild
What Our Members Do: Ethan Stoller
In post-production, I conform the music to any picture changes. On the mix stage, I deliver the full music Pro Tools session to the re-recording mixer, and then serve as an ambassador for the music. […]
Web Exclusives
Panel to Showcase Sound for Hit Series ‘Stranger Things’
On January 31 at the Sportsmen’s Lodge in Studio City, a joint AES/SMPTE meeting will showcase the intricate sound editorial and re-recording of the Netflix miniseries ‘Stranger Things’. […]
Web Exclusives
A Music Editor for All Genres
It is practically a given in our industry that the most prolific composers have a remarkable talent to provide effective scores for virtually any movie genre that comes their way. […]
