The Editors Guild’s Membership Outreach Committee is looking for members in good standing to be instructors in the Master Class program and share their knowledge and experience with the younger generation of our membership. […]
Stephanie Lowry provides a roadmap to some of the issues being dealt with by the rank and file music editors. […]
Joseph DeBeasi has worked as a music editor and composer. Throughout his career, he has developed a keen sense of his job, as it has developed over time, as technician, creative, diplomat and interpreter. […]
“Our original idea for ‘Philip K. Dick’s Electric Dreams’ originated five years ago, when we discussed the idea of an anthology series of the author’s short stories with diverse points of view” […]
Even if she was not a lifelong fan of the New York Yankees, music editor Stephanie Lowry would have been proud of having worked on the made-for-television movie ’61*.’ […]
Mikael Sandgren likes to keep busy. He straddles the worlds of indie film, studio film and television, major commercial campaigns and even video games. […]
In post-production, I conform the music to any picture changes. On the mix stage, I deliver the full music Pro Tools session to the re-recording mixer, and then serve as an ambassador for the music. […]
On January 31 at the Sportsmen’s Lodge in Studio City, a joint AES/SMPTE meeting will showcase the intricate sound editorial and re-recording of the Netflix miniseries ‘Stranger Things’. […]
It is practically a given in our industry that the most prolific composers have a remarkable talent to provide effective scores for virtually any movie genre that comes their way. […]
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