Oscar-Nominated Editor Joe Klotz Talks About Bringing It All Back Home in ‘Motherless Brooklyn’
“We had different noir films that were our touchstones, like ‘Chinatown’ in particular.” […]
“We had different noir films that were our touchstones, like ‘Chinatown’ in particular.” […]
“We wanted to do something different, not just from Batman, but from all comic-based films.” […]
“We had to make people feel comfortable enough to laugh, without beveling off any of the hard edges or flinching from the subject matter.” […]
“There were a few dance moves that made my jaw drop.” […]
“I am trying to outgrow the part where you loathe yourself until you like the scene.” […]
“’Ad Astra’ is an existential journey. The further Roy McBride travels out into space, the deeper we go into his soul. It’s really a dive into the subconscious.” […]
He said, “Mom, I really want to work for that film company.” And she said, “OK, Jerry. You do that.” […]
“I recognized early on what this kid was going through and how he felt.” […]
Held Saturday and Sunday nights in Downtown Los Angeles, the awards honor creative and technical achievement in numerous categories, including picture and sound editing, sound mixing, and technical direction. […]
©2016-2021 Motion Picture Editors Guild