Franklin Peterson and Chloe Domont Talk Editing on Netflix Thriller ‘Fair Play’
“This is one of those things where you read it and it just works in a number of ways.” […]
“This is one of those things where you read it and it just works in a number of ways.” […]
“It’s a show that requires many elements, from graphics to sound design, and since the schedule is a bit tight from the recording moment to air day, the editors of the main show are divided between even and odd episodes. But as the weeks go by, we become one team.” […]
“Here was this grand opportunity to work with a majority female crew in terms of the top positions: majority female directors, a female showrunner, and majority women in post.” […]
By Kristin Marguerite Doidge Growing up as a first-generation Mexican-American, Angel Gamboa Bryant thought she might have a career […]
“He didn’t like cuts being in predictable places. In other words, one of the things that you often strive for in editing is to make the editing disappear: somebody finishes the line and the next person speaks, and you cut to it right away. Billy was always most interested in making unpredictable cuts that, in his mind, were better.” […]
By Kristin Marguerite Doidge Just as the protagonists in “Aristotle & Dante Discover the Secrets of the Universe” find […]
“When I read the pilot script, I was struck by how important it is that we understand the story is still relevant today.” […]
“I’ve always loved cutting arguments between couples, or arguments in general.” […]
‘It’s all about making this movie fly, transform and transport audiences.’ […]
“It’s a story of a stepmom and a stepdaughter bonding. They’re totally unbonded at the beginning and they need to be a family by the end. That’s what I connected to.” […]
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