Features
COATES of Many Colors: The Varied Career of Anne V. Coates
“I try to cut every film I do with a fresh eye; I don’t go with a pattern or anything. I just read it, assimilate it and cut it.” – Anne V. Coates […]
Picture Editors
Getting Organized
Conventional Lessons
each of these groups was struggling with a profound but similar problem––the way technology was changing the jobs of their membership. The solution for many of them was the same: Organize. […]
Features
The 75 Best Edited Films
The results of a survey of Editors Guild members to name their choices for the best edited film of all time, taking into consideration picture, sound and music editing, as well as re-recording mixing […]
Letters to the Editor
Letters to the Editor: ‘Breaking’ from ‘Bad’
Letters regarding corrections as well as general praise. […]
Membership Outreach
Editing Television (AND ITS DISCONTENTS)
How do we tackle the biggest underlying issue — the lack of feeling empowered to stand up for oneself? […]
Book Reviews
Cinema Europa: Is American Editing Lost in Translation?
The diversity of techniques and point of view in Roger Crittenden’s new book on European film editing is fairly astonishing. […]
OP / EDIT
Get Tested! In Defense of Pre-Release Screenings
We need to improve our movies, and the only people who can point us in the right direction are those who offer us their unrestrained opinions, painful as they may be. […]
OP / EDIT
GET RETESTED! More Thoughts on Pre-Release Screenings
How does one run a proper test screening? […]
Features
‘Fringe’ First Responder Pilot Editor Russ Denove
Russ Denove spoke to CineMontage briefly and reflected on editing the ‘Fringe’ pilot. […]
Features
Editing on the ‘Fringe’ New Series Offers More Storytelling Time
CineMontage recently sat down with the trio of Fringe editors––Jon Dudkowski, Tanya Swerling and Scott Vickrey, A.C.E.––to discuss their work. […]
