CineMontage recently attended a screening of Patriots Day, followed by a panel of major below-the-line craftspeople, including picture editor Colby Parker, Jr, ACE; re-recording mixer, sound designer and supervising sound editor Dror Mohar; and sound designer and supervising sound editor Piero Mura. […]
To hear Stuart Bass, ACE, talk about television editing, one might think he has an insouciant attitude towards his craft. “Editing comedy is a specific talent…it’s just difficult to say what that talent is,” he says glibly. […]
It is a late Friday afternoon in November and the post-production crew is carefully refining the soundtrack for a scene from Reel 6 of director Morten Tyldum’s Passengers. […]
John Patrick Wolfenden, beloved and loving husband, father, son and brother, passed away on June 23 at the age of 45. He is survived by his wife of 19 years, Suzanne Zizzi, their daughters Shea and Maeve (14 and 12), his parents Anita and Richard, and his brother Peter. […]
In the midst of a career in television, picture editors may think about how many years they’ve been on a show, but they may not stop to consider how many episodes of it they’ve cut. […]
John Marshall Fuller, Sr. passed away on February 16, 2016 at the age of 61. John was raised in the small town of Greenlawn, New York, located on the North Shore of Long Island. […]
Danford B. Greene, editor of such films as Mel Brooks’ Blazing Saddles and Robert Altman’s M*A*S*H, among others, was an avid sportsman who had more nicknames than you could shake a golf club at […]
Philip Roth’s American Pastoral was published in 1997 and won the Pulitzer Prize for Fiction the following year. The film adaptation, from a screenplay by John Romano, directed by and starring Ewan McGregor, with editing by Melissa Kent and sound editing supervision by Christopher S. Aud, premiered September 9 at the Toronto International Film Festival and opened in limited release October 21. […]
Maryann Brandon, ACE, and Mary Jo Markey, ACE, spoke about their collaboration with director J.J. Abrams, and how he has incredible trust in his editors, giving them the time and space to shape the film in the cutting room. […]
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