‘Taking Woodstock’ is a movie of source music—and not just the kind that comes from a radio playing on a tabletop. Designed to blend seamlessly with the needle-drop tunes, a lot of that was provided by the “live” hippies. […]
I am still passionately involved—working with clients who require cost-effective methods of designing post-production facilities, recording studios, acoustics and home theatres internationally and am proud to be part of this strenuous but great business. […]
Director Ridley Scott’s award-winning film ‘Black Hawk Down’ was based on a distinguished nonfiction book entitled ‘Black Hawk Down: A Story of Modern War’ by Mark Bowden. […]
Sixty-five years after the semi-documentary film The Naked City (1948) premiered in March 1948, it still reveals much about New York City that has not changed. […]
‘Sound for Digital Video’ provides a valuable overview for those planning to enter the audio-for-video production business. […]
I have been a re-recording mixer for 33 years, and the idea of turning a production track into a full, complete and seamless sound track — that hopefully enhances and advances the project — still fascinates and excites me. […]
The many people who create sound,are likewise invisible to the public — even as their contributions are central to making onscreen worlds. They too are part of the occult magic of cinema. […]
Almost 25 years after its premiere, GoodFellas (1990) is still a shocking movie about organized crime. […]
When sound designer/supervising sound editor Dane A. Davis, MPSE, attended the audience preview for The Matrix (1999), he — as well as directors Andy and Lana Wachowski (then known as the Wachowski Brothers) — had no idea what to expect. […]
Steven Soderbergh and Larry Blake have been making movies together since the start of their professional lives. […]
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