How New York’s Sound Lounge Built Its Cred on Shows Like FX’s ‘The Bear’
“We do one thing, we do sound.” […]
“We do one thing, we do sound.” […]
“I have always been fascinated with sound in films.” […]
“It may be the hardest movie I’ve ever worked on.” […]
The 75 Best Edited Films’ years of release range from the 1920s to the 2010s — with 3 titles each in both of those decades. Most of the films cited are from the 1970s (17), followed by the ‘90s (16), the ‘60s (13), the ‘50s (8), the ‘00s (7), the ‘80s (5) and the ‘40s (3). Curiously, there were no films chosen from the 1930s. […]
“You never get used to receiving news of an Oscar nomination.” […]
The keynote panel addressed the topic of pivotal sound changes within the post community, including the rise of streaming services, emergent technologies and formats, plus evolution of the sound designer/re-recording mixer. […]
Here, we consider products from three of the leading developers of processor and plug-in design: Sound Particles, iZotope/Exponential Audio and Liquid Sonics. […]
“If I can make people watching it nervous and just a little uncomfortable, that could be something really cool.” […]
MPEG nominees won for work on projects ranging from the dramas “The Crown” and “The Queen’s Gambit” to comedies such as “Ted Lasso” and “A Black Lady Sketch Show.” […]
The Primetime Emmys will air live Sunday, September 19 on CBS and stream on Paramount+. Cedric the Entertainer, star of The Neighborhood will host the ceremony, which will be held in-person at the […]
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