
Michelle Tesoro and Wylie Stateman Talk Picture and Sound on ‘The Queen’s Gambit’
Picture editor Michelle Tesoro, ACE, wasn’t a chess expert when she began working on “The Queen’s Gambit.” And she still isn’t. […]
Picture editor Michelle Tesoro, ACE, wasn’t a chess expert when she began working on “The Queen’s Gambit.” And she still isn’t. […]
“The company believes that building diverse crews makes both good sense and is creatively beneficial.” […]
“Figure out how to be a good person, a nice person, and one who knows how to communicate well, because those things are what will get you hired again and again more than any other ‘skills’ you have.” […]
For the first time this year, the Academy has combined Sound Editing and Sound Mixing into one category, Best Achievement in Sound. […]
The Motion Picture Academy on Sunday handed out a newly renamed Oscar for best sound — combining the prior sound editing and sound mixing categories into a single honor — and while this was a carefully considered change in the […]
“Stand up for the importance of sound in film and TV. Be passionate about it and maybe some of that will rub off on those you associate with.” […]
Pilar Palomero’s coming-of-age story The Girls took home the top prizes, including best picture, at the 35th annual Goya Awards on Saturday. Spain’s annual awards show, hosted by Antonio Banderas, also saw Palomero’s drama win […]
Director David Fincher commanded his own army of Foley artists, dialog editors and sound specialists for his iconoclastic biographical portrait of the screenwriter Herman J. Mankiewicz (Gary Oldman). […]
“I started as a musician when I was seven years old.” […]
Creating the sound of the future involved power tools and a church for these Emmy-nominated Sound Editors and Mixers from shows including ‘Picard,’ ‘Watchmen,’ ‘Devs’ and ‘Westworld.’ Supervising Sound Editor Matthew Taylor […]
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