Features
How Kate Corbaley, Powerful Reader at MGM in the 1930s, Paved the Way for Today’s Hollywood Literary Scouts
“It all depended on how Kate Corbaley narrated the story.” […]
Story Analysts
Features
How Story Analysts from Hollywood’s Golden Age Helped Build Movies, and a Lasting Labor Movement
Story analysts organized and fought battles from which today’s union story analysts, as well as members of all Hollywood IA locals, still reap benefits. […]
Committee News
LGBTQ Guild Members See Progress, and Room for Improvement, in Industry Anti-Discrimination Efforts
“My mother had a tough time at first. She said, ‘You’ve had 22 years to figure this out, and you’ve given me five minutes. So give me some time.’” […]
Columns
Bernardo Bertolucci’s ‘Last Tango In Paris’
I fell in love with Last Tango in Paris in the summer of 1973 when I was 20 years old. But now, decades later, I’m sorry to say I’ve fallen out of love with the film much as one eventually discovers that Old Spice aftershave (and the guy who wore it) wasn’t that cool after all. […]
Web Exclusives
What Our Members Do: Amanda Nelligan
“I read scripts submitted for consideration, providing a synopsis and my analysis of whether they are a good bet for the studio — the pros and cons of premise, character, storyline, dialogue, etc.” […]
Columns
Christine Culler on ‘Minority Report’
While working at 20th Century Fox in the early 1990s, story analyst Christine Culler was assigned a steady diet of romantic comedies and children’s books. Then, in 1995, a different sort of project came across her desk: ‘Minority Report,’ a futuristic suspense film, heavy on action and low on meet-cutes. […]
Features
The Guilty Pleasures of Story Analysts: Movies They Hate to Love…
CineMontage has turned to the Guild’s erudite, critical and scholarly branch––the story analysts––and asked them to venture deep inside their inner film geeks, to forget that their professional reputations could be at stake and to admit to the world––or at least to their fellow Guild members––what their favorite guilty pleasure movies are. […]
OP / EDIT
Filmmaking’s First Responders
Editors and story analysts both use their considerable skills and training to hone and finesse a film’s story. […]
Union Made
UNION MADE: How I Got to Determine What Movies Get Made
We “cover” mostly screenplays, but also novels (some pre-publication), newspaper and magazine articles, plays — any potential source for a good story or lead character. We evaluate old movies for their potential as contemporary remakes, and foreign movies as possible American remakes. […]
Union Made
Union Made: My Life as a DiploRat Began in the Basement
I discovered the animal called “story analyst.” These people were allowed to sit on their tuchuses all day to read. And some fool paid them to do this! […]
