“My mother had a tough time at first. She said, ‘You’ve had 22 years to figure this out, and you’ve given me five minutes. So give me some time.’” […]
I fell in love with Last Tango in Paris in the summer of 1973 when I was 20 years old. But now, decades later, I’m sorry to say I’ve fallen out of love with the film much as one eventually discovers that Old Spice aftershave (and the guy who wore it) wasn’t that cool after all. […]
“I read scripts submitted for consideration, providing a synopsis and my analysis of whether they are a good bet for the studio — the pros and cons of premise, character, storyline, dialogue, etc.” […]
While working at 20th Century Fox in the early 1990s, story analyst Christine Culler was assigned a steady diet of romantic comedies and children’s books. Then, in 1995, a different sort of project came across her desk: ‘Minority Report,’ a futuristic suspense film, heavy on action and low on meet-cutes. […]
CineMontage has turned to the Guild’s erudite, critical and scholarly branch––the story analysts––and asked them to venture deep inside their inner film geeks, to forget that their professional reputations could be at stake and to admit to the world––or at least to their fellow Guild members––what their favorite guilty pleasure movies are. […]
Editors and story analysts both use their considerable skills and training to hone and finesse a film’s story. […]
We “cover” mostly screenplays, but also novels (some pre-publication), newspaper and magazine articles, plays — any potential source for a good story or lead character. We evaluate old movies for their potential as contemporary remakes, and foreign movies as possible American remakes. […]
I discovered the animal called “story analyst.” These people were allowed to sit on their tuchuses all day to read. And some fool paid them to do this! […]
We all want to be the hero of our own story. Such a wish is at the center of director Stephen Frears’ 1992 film ‘Hero.’ […]
In a perfect world, what would be the Best Picture of 2009? […]
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