On Riding Equalization
The following is excerpted from an interview with Lee Dichter, CAS, 20 years ago in the September 1998 issue of […]
The following is excerpted from an interview with Lee Dichter, CAS, 20 years ago in the September 1998 issue of […]
Recently, Adobe unveiled important updates and enhancements to its suite of video applications in the Creative Cloud. Let’s take a look at some of the new features aimed at filmmakers and video professionals. […]
I’ve tried out a lot of Digital Audio Workstations (DAWs) for music production over the years. The first one I sunk my teeth into was Cubase but, along the way, I’ve bumped into others, each with its own cadre of devotees. […]
There are a lot of reasons why creative media professionals require a display on their desks that is capable of representing highly accurate colors. To start, animators must be confident that color choices will result in final renders that look how they expect them to look. […]
The expansion of digital filmmaking into HD and beyond has seen film become an anachronism, rather than a competitor or adjunct to digital. Many of the traditional assistant’s duties are being re-shaped or re-tasked. […]
Giving credit to John Stephens for the development of a portable, 59-pound, battery-operated 8-track machine. […]
As one of the most anticipated sequels, with one of the longest waits ever for it to come to fruition, ‘Blade Runner 2049’ pays tribute to Ridley Scott’s iconic sci-fi offering from 1982. […]
In the early days of the motion picture industry, progress often required that new technologies be innovated by a studio that was advancing the art of cinema. […]
Consoles have evolved dramatically over the last two and a half decades. […]
While two displays sound better than one, there were a few problems with this solution, the biggest being the physical gap between them. Yes, it was possible to take a window or a palette and stretch it across both displays, but it was practically impossible to work that way.
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