I remember sitting in the theatre watching Ingmar Bergman’s Wild Strawberries and being blown away by the visual metaphors in this movie. His opening dream sequence — the clock with no hands, the coffin spilling out of the hearse — captured my imagination. […]
Sixty-five years after the semi-documentary film The Naked City (1948) premiered in March 1948, it still reveals much about New York City that has not changed. […]
Forty years in show biz. I’m so grateful for all the good times. The bad times? They just happened and I’ve stopped trying to explain them. […]
Be kind and respectful to everyone with whom you work — from the production assistant all the way to the executive producer — because your PA might become your EP before too long. And with every cut, everyone, including me, becomes a better editor. […]
Steve Hullfish knows how to talk with editors. In addition to writing five previous books (all published by Focal Press), including The Art and Technology of Digital Color Correction and Avid Uncut, he has extensive post-production credits in both television and film. […]
For four years in the mid-1990s, Julie Anne Lau counted among her collaborators a frog prone to singing and dancing, a conspiratorial-minded duck and a wascally wabbit. […]
The job of the assistant editor has changed substantially over the last decade. […]
Assistant Editors and Camera Assistants discuss issues such as career advancement, technological developments and the future of the industry as they see it. […]
Has MTV reinvented or hobbled the art and craft of editing? […]
A zippier editing style has achieved institutional status, through MTV […]
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