On January 31 at the Sportsmen’s Lodge in Studio City, a joint AES/SMPTE meeting will showcase the intricate sound editorial and re-recording of the Netflix miniseries ‘Stranger Things’. […]
To hear Stuart Bass, ACE, talk about television editing, one might think he has an insouciant attitude towards his craft. “Editing comedy is a specific talent…it’s just difficult to say what that talent is,” he says glibly. […]
In the midst of a career in television, picture editors may think about how many years they’ve been on a show, but they may not stop to consider how many episodes of it they’ve cut. […]
John Marshall Fuller, Sr. passed away on February 16, 2016 at the age of 61. John was raised in the small town of Greenlawn, New York, located on the North Shore of Long Island. […]
Although assistant editors do embrace the chance to learn more, the question becomes: How much work is too much per assistant? Does bringing this extra work in-house mean that an extra assistant is required? And what does the assistant lose—mentoring time, for example—by taking on these extra tasks? […]
Allow me to introduce you to the post-production alchemy that produces the show that, according to Newsweek senior writer Andrew Romano, is “right now…the best program on TV, period.” […]
Here are the results of the Academy of Television’s EMMY Awards for post production on Saturday at the Creative Arts Emmy Awards. Additional editing awards, including for non-fiction and reality, will be announced on Sunday […]
What we do doesn’t achieve the kudos that our drama or cinema brothers and sisters do, but our work is still seen by millions of people all over the world and its technique is definitely worthy of more study. […]
If you’re in New York and involved in post, the daylong Sight, Sound & Story is a not-to-miss annual gathering that you don’t want to mix. […]
©2016-2021 Motion Picture Editors Guild
