Web Exclusives
‘Always Cut TO Something’: Vikash Patel Talks Editing Crime Drama ‘Ozark’
“If the performance is fantastic, if the story is being told, why interrupt that with a cut?” […]
Television
Features
Post Crew Tells the Story Behind ‘Yellowstone,’ the Hit Western Series
“Yellowstone” is a show about land: who it once belonged to, who it belongs to now, who it might one day belong to. […]
Features
Veteran Editor Mark Sadlek Looks Back at the Magic of ‘Insecure’
The show, which made vivid use of contemporary Los Angeles locations and consistently tackled tough topics, premiered in 2016 and wrapped up last fall after five acclaimed seasons. […]
Cover Story
How the Post-Production Team for ‘Hawkeye,’ the Latest Marvel Epic, Hit the Target
For those who work in post-production, the long hours spent poring over dailies, collaborating with directors and producers, and making scenes just so are rewarded when audiences respond appreciatively. […]
Features
The Editing Team Behind Ben Stiller’s ‘Severance’ Explains How the Series Spans Genres
“Severance” doesn’t land directly in the middle of the thriller, comedy, or sci-fi genre, but the series does combine all three. […]
Features
How the Post Team Captured That French Magic in ‘Emily in Paris’
What the ‘Emily in Paris’ editors learned about cutting and comedy […]
Features
Want to Edit Funnier? Let Roger Nygard Show You How
A new book explains how to approach comedy (Hint: Make it faster) […]
Web Exclusives
WHAT OUR MEMBERS DO: Reid Kimball, Assistant Editor
“My disability in a way makes me a better assistant editor because communication is so important to me.” […]
What Our Members Do
WHAT OUR MEMBERS DO: Alex Szabo, Assistant Editor
Where are you currently employed? I’m in the early steps of editing a horror-comedy feature. It’s a little project […]
Web Exclusives
Alan Baumgarten on Editing Lucy and Desi in ‘Being the Ricardos’
By Rob Feld Like many others, Alan Baumgarten, ACE, found editing while getting his BFA at NYU. He began […]
