Daysha Broadway, ACE, who has led the picture editing team since Season One, was joined by Stephanie Filo, ACE, and Jessica Hernández, ACE, for Season Two. They’re the first all-women-of-color editing team to be nominated for and win an Emmy. […]
MPEG nominees won for work on projects ranging from the dramas “The Crown” and “The Queen’s Gambit” to comedies such as “Ted Lasso” and “A Black Lady Sketch Show.” […]
It was all champagne and roses—er, champagne and Cheez-Its—for the Women’s Steering Committee (WSC) as it hosted its fourth annual Emmy celebration on August 22. […]
“There’s a misperception that if you cut scripted, you can’t cut reality.” […]
This was strike three for me — three shows in a row shut down unexpectedly. Two pre-pandemic and now this. […]
“We were trying to support Wanda’s emotional journey through the different eras.” […]
How the all-men-of-color picture editing team on ‘queen sugar’ found healing in a challenging year […]
Amy Duddleston and her crew went to work recutting what had been shot of all of the seven episodes, taking each one through a director’s and a producer’s cut remotely from home in Los Angeles, considering everything from script changes to pandemic concerns in terms of building larger scenes. “We were very lucky because it shaped the show,” she said. […]
The comedy from Apple TV+ grew into a sleeper hit during the nadir of the pandemic last year and has already been renewed for a second season, coming this summer. […]
Picture editor Michelle Tesoro, ACE, wasn’t a chess expert when she began working on “The Queen’s Gambit.” And she still isn’t. […]
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