The acclaimed web series “Transparent,” created by producer/writer/director Jill Soloway (“Six Feet Under,” 2001-05, and “United States of Tara,” 2009-11), has made waves on television and in the LGBTQ community. […]
“Lillian Benson is one of the most gifted, resourceful and dedicated editors with whom I have had the privilege to work,” said Debbie Allen. “From Eyes on the Prize II to The Hot Chocolate Nutcracker, her talent has enriched every project.” […]
The old edict “Necessity is the mother of invention” certainly rings true for Foley artists — the people who create sounds for film and television. To be a Foley artist is to be creative and detail-oriented, intuitive and analytical; they must be in good physical condition and, as it turns out, quite often a mind reader.
Richard Halsey, A.C.E., lives by three rules: Be organized, listen to your intuition and always tell the truth. These are rules that the editor applies to his work, as well as to his life. Of course, Halsey says, it’s not always easy. […]
There’s a revolution going on at JJ Abrams’ Bad Robot Productions and it has nothing to do with aliens, plane crashes or spies. It’s a change in the way music is being integrated into post-production. […]