The Self-Composed Music Editor
Scott Stambler is normally a music editor––but on this version of Payback, he’s composing for the first time. […]
Scott Stambler is normally a music editor––but on this version of Payback, he’s composing for the first time. […]
“Sound has been a very important element in my work. Consequently, it’s something I’ve always paid a lot of attention to.” – Robert Altman […]
Organizing cannot be done without a very high level of discussion and interaction between the people who will be affected by it. […]
The Vitagraph Studio was the veritable cradle of the film industry. […]
‘Cut To The Chase’ is one of the very best anecdotal histories of filmmaking in print. […]
‘Last Year at Marienbad’ remains one of the most famous films made, perhaps because it is so elegant––and yet so infuriating. […]
Letters from our readers regarding the ‘Moviola Mavens’, 1930’s editing, and documentary editing. […]
This was unlike any movie I had ever seen. The movie unfolded with a slow, measured pace, revealing image after gorgeous image. […]
This whole career is a prime example of how important relationships and networking can be in our line of work. […]
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