I was on the path of the confused college looking primarily for an interesting career and secondarily for a way to earn a living. My two goals never seemed to want to co-exist. […]
From Back to the Future to Cast Away, Robert Zemeckis, and his longtime editor Arthur Schmidt, A.C.E., crafted some of the most iconic films of the 1980s, ’90s and beyond. A two-time Oscar winner, as well as the recipient of numerous other industry awards and honors for his editing work, Schmidt — who retired in 2008 — is well loved and respected in the industry. […]
Let us introduce ourselves: We are the Membership Outreach Committee. The committee was established by the Editors Guild Board of Directors as an avenue through which members can interact with each other to generate and distribute solutions to issues that you, the membership, help identify. […]
Cover Girl (1944) is a famous movie for two reasons — one intentional and the other accidental. The film’s legacy is of a time when women were celebrated for their glamour and sexuality. […]
Re-recording mixer Andy Nelson, CAS, brings to his craft several decades of experience in the art of balancing dialogue, music and sound effects in an immersive soundtrack that supports the director’s storytelling vision […]
Picture editors’ storytelling skills are tested in animation to a degree rarely demanded in any other kind of film. In live action, they may come on to a project to consult and prepare before production begins, but their work usually begins when the cameras start rolling and footage comes into the cutting room. […]
When I was a child, I had childish dreams to be a superhero or a pro athlete. Alas, my only super power was secondary perception, the ability to say, after something had happened, “I knew that would happen.” It did not take me long to learn that the Justice League was not looking for a hero with such an annoying super trait. […]
What’s fascinating about ‘The CG Story’, therefore, is the realization that live action has become more like animation and vice-versa. […]
Robert C. Jones grew up in the film industry; his father, Harmon Jones, was a feature film editor (Gentleman’s Agreement, Panic in the Streets, among others) and later TV director (Rawhide, Perry Mason and Death Valley Days). […]
Richard Halsey, A.C.E., lives by three rules: Be organized, listen to your intuition and always tell the truth. These are rules that the editor applies to his work, as well as to his life. Of course, Halsey says, it’s not always easy. […]
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