Carol Littleton on ‘Places in the Heart’
The film touched Carol’s heart because its characters and events were recognizable to her family. […]
The film touched Carol’s heart because its characters and events were recognizable to her family. […]
This year’s Oscar nominees in the Sound Mixing category include an offering that profiles a conflicted long-gun wielder, one that focuses on a sadistic music teacher, a zany theatrical comedy, a journey across space and time, and a character overcoming adversity. […]
When nonlinear editing systems first appeared nearly 25 years ago, a lot of people scratched their heads. Who could edit with a picture you could barely see and a hard drive that couldn’t hold even a reel of images, on a new-fangled personal computer that was likely to crash? […]
The Academy Award nominees for Film Editing this year exemplify the importance of the collaborative role of the editor in shaping a director’s vision. […]
As an inquisitive kid growing up in rural northwest Georgia, I was always looking for ways to keep from being bored — reading, watching TV or going to the movies. […]
This year’s Oscar nominees for Best Sound Editing transport us to three very distinct war zones (American Sniper, The Hobbit: The Battle of the Five Armies, Unbroken), take us for a roller-coaster ride inside a wormhole and a black hole (Interstellar), and put us in the mindset of a has-been movie star going out of his mind (Birdman). […]
Film editing may be known as “the invisible art,” but picture editors Zene Baker and Evan Henke never expected that all their work cutting The Interview was in danger of becoming invisible itself. […]
Let’s cut from our usual close-ups of Local 700 organizing to a wide shot of the state of the American labor movement. […]
One century ago, on February 8, 1915, David Wark Griffith’s ‘The Birth of a Nation’ premiered under its original title, The Clansman, at Clune’s Auditorium in Los Angeles. […]
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