Rick Alexander on ‘Ronin’
In 1998, when re-recording mixers Rick Alexander and Richard D. Rogers first met with director John Frankenheimer about working on “Ronin,” there were many subjects that could have been discussed. […]
In 1998, when re-recording mixers Rick Alexander and Richard D. Rogers first met with director John Frankenheimer about working on “Ronin,” there were many subjects that could have been discussed. […]
The Editors Guild’s Diversity Committee was created last year because of a need to bring awareness for inclusion in our workplace. We were glad that so many of our members showed interest in participating. […]
Olie Amarillas has joined the Editors Guild as a Field Representative in the Los Angeles office. With over a decade of experience in post-production distribution, he has witnessed its biggest transformations, from bulky, heavy 35mm film cans to weightless hard drives. […]
James Boyle Story Analyst (June 27, 1938 – January 2, 2013) 44 years a member Robert T. Brown No Classification […]
Bill Butler, the British-born film editor who received an Oscar nomination for his work on Stanley Kubrick’s 1971 classic “A Clockwork Orange,” died June 4 at a hospital in Sherman Oaks. He was 83. […]
Blackmagic Design continues to maintain its impressive track record of delivering well-designed products, including cameras, software, switchers, converters and a plethora of other useful tools for the production and post industry. […]
I grew up in a small town on the East Coast, maybe 1,000 people, tops. Not too much to do at night, but great for a kid; we pretty much had the run of the town. […]
In a nondescript Burbank falafel joint on a sweltering Sunday afternoon in July of last year, co-workers crowded around an impromptu conference table made up of several four-tops pushed together. A tacky film adhered to the furniture, as is typical of greasy spoons. Sweaty forearms clung stickily to gummy tabletops. […]
Amazon Studios’ “Transparent” is arguably much more than just a hit web series. It’s a phenomenon that pushes the envelope in terms of social, political and gender-role mores. […]
My few forays into non-feature editing were no less challenging. But they paid less money. […]
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