• Visit the Editors Guild site
  • Facebook
  • Twitter
  • Instagram
  • Home
  • News
    • Labor
    • Industry
    • Guild – IATSE 700
  • Web Exclusives
  • Features
  • Departments
    • Getting Organized
    • Membership Outreach
    • MPEG Diversity
    • Letters to the Editor
    • Post Script
    • Passages
    • In Memoriam
    • President’s Message
    • From The National Executive Director
    • What Our Members Do
  • Columns
    • Labor Matters
    • Union Made
    • Book Reviews
    • Technology
    • Tail Pop
  • Issue Archives
  • About
    • History of CineMontage
    • Contact Us
    • Advertising
    • Privacy Policy
Home2019

Year: 2019

Web Exclusives

Cinema Audio Society Nominates Dozens of Guild Members for Sound Mixing Awards for ‘Irishman,’ ‘Ford v Ferrari,’ more

December 10, 2019

“Joker,” “The Irishman,” “Rocketman” and more get nominations for CAS prize […]

Features

Carole Kravetz Aykanian Talks About Editing Steve Carell and Jennifer Aniston in ‘The Morning Show’

December 6, 2019

“The pilot was the foundation. We had to find the tone.” […]

Committee News

Empathy for Showrunners? Yes, and Much More at MPEG’s Workshop for Newly Promoted Assistant Editors

December 4, 2019

“You have to work your courage muscle to develop a sense of self-confidence.” […]

Features

Thelma Schoonmaker Talks of Editing, Aging, and Endings in Martin Scorsese’s ‘The Irishman’

December 2, 2019

“You never know what is going to happen when you put two pieces of film together.” […]

From The National Executive Director

Cathy Repola: MPEG at ‘All-Time High’ in Membership as It Prepares for Basic Agreement Talks in 2021

November 27, 2019

“I vow to do whatever I can, whatever is necessary, toward strengthening our position and keeping the Guild powerful, united, and working for its members.” […]

What Our Members Do

What Our Members Do: Rachel Wilson, Logger

November 27, 2019

“It’s absolutely amazing how the editors are able to take thousands of hours of footage shot over the span of 39 days and weave it into a story that resonates with so many people.” […]

Web Exclusives

Jennifer Lame Talks About Editing the Breakup of Adam Driver and Scarlett Johansson in ‘Marriage Story’

November 25, 2019

“If the story is good and the characters are good, then the movie is going to be good.” […]

Web Exclusives

Monica Salazar and Dominic LaPerriere Unpack the ‘Unusual’ Editing Process Behind Shia LaBeouf’s ‘Honey Boy’

November 14, 2019

“We were bouncing ideas off each other, and picking up the cuts of each other.” […]

Web Exclusives

Oscar-Nominated Editor Joe Klotz Talks About Bringing It All Back Home in ‘Motherless Brooklyn’

November 13, 2019

“We had different noir films that were our touchstones, like ‘Chinatown’ in particular.” […]

What Our Members Do

What Our Members Do: Sharon Smith Holley, Visual Effects (VFX) Editor

October 31, 2019

“Don’t wait till you retire to do your passion projects.” […]

Posts pagination

« 1 2 3 … 15 »

DIGITAL PDF | Q2 2025

Cinemontage Q2 2025

VIEW ONLINE

Are you interested in…

AFL-CIO Animation Editors Apprentice Editors Assistant Editors Awards Black History Month Colorists coronavirus Cut to Black Digital Technician Diversity editing election Engineer Film film editing Film History Foley Artists Guild History Health Care IATSE Labor News Mentoring MPEG Music Editors Negotiations NLRB Obituary Organizing Picture Editors Re-recording Mixers Recordists Scoring Mixer Sound Sound Editors Sound Personnel Story Analysts Technical Directors Technology Television Unions Unscripted Television Visual Effects Workplace Safety Writers

ADVERTISEMENT

UPCOMING EVENTS

Link to MPEG
Calendar

CONTACT CINEMONTAGE

7715 Sunset Boulevard, Suite 200
Hollywood, CA 90046
(323) 876-4770
CineMontage@EditorsGuild.com

Author Log-In

Stay connected
  • Facebook
  • Twitter
  • Instagram

©2016-2025 Motion Picture Editors Guild

Verified by MonsterInsights