Departments
Cathy Repola: Understanding the MPI Plans is Key to Our Future
A brief overview of the 2021 year-end financial highlights of the MPI Plans […]
Year: 2022
Features
The Editing Team Behind Ben Stiller’s ‘Severance’ Explains How the Series Spans Genres
“Severance” doesn’t land directly in the middle of the thriller, comedy, or sci-fi genre, but the series does combine all three. […]
Features
Doug Crise Talks Editing Barry Levinson’s ‘The Survivor’ for HBO
“I hope people can see this and realize this is not a history story, in a way. This is not a story of something that happened 80 years ago that is not happening right now.” […]
Committee News
MPEG Events Bring Visibility to Members of Pan Pacific Asian Community
In reading works by authors prior to commercial publication, story analyst Donna Choo has the opportunity to flag emerging or underrepresented voices who “just need time to develop” before having their pieces adapted for visual audiences. “I feel like I’m infiltrating in my own way,” she said. […]
Web Exclusives
WHAT OUR MEMBERS DO: Staci Pontius, Assistant Editor
Where are you currently employed? I’m in between projects at the moment. Current projects? The last movie I worked […]
Web Exclusives
Sandra Montiel Talks Editing ‘The Valet,’ a Rom-Com Set Amid Celebrity Culture
By Rob Feld When she was 13 years old in Peru, Sandra Montiel’s uncle, a filmmaker, came to visit her […]
Web Exclusives
WHAT OUR MEMBERS DO: Charles Shin, Assistant Editor
“I used to edit reality shows. My heart was never into cutting reality, but I was tempted by the dark side — the money.” […]
Columns
TAIL POP: The Enduring Wisdom of Indiana Jones
The enduring wisdom of Indiana Jones […]
Book Reviews
BOOK REVIEW: ‘The Art and Craft of Motion Picture Editing’
A new book looks at the craft of picture editing from a fresh perspective […]
Labor
Workers at Bento Box Animation Elect to Go Union with Editors Guild
Bento Box Entertainment produces animated series such as “HouseBroken,” “Farzar,” “Paradise PD,” and the forthcoming “Krapopolis.” (Editorial crews on some other Bento Box titles, such as “Bob’s Burgers,” already enjoyed union representation through Bento Box’s partnership with other signatory studios.) […]
