Not ‘a Wacky Rom-Com’: Josh Beal Talks Editing ‘Fleishman Is in Trouble’
“I’ve always loved cutting arguments between couples, or arguments in general.” […]
“I’ve always loved cutting arguments between couples, or arguments in general.” […]
‘It’s all about making this movie fly, transform and transport audiences.’ […]
“It’s a story of a stepmom and a stepdaughter bonding. They’re totally unbonded at the beginning and they need to be a family by the end. That’s what I connected to.” […]
There will forever be a need to do more work towards building a better union for the future. Those of us in leadership roles need to examine ourselves and be not just open but willing to embrace new ideas and new ways of doing things. […]
“A movie’s like an album. It has to flow properly in a lot of ways, and you have to be able to dance to the rhythm of the dialogue and the rhythm of the scenes and motion.” […]
“I’m a film and TV editor with experience in drama, horror, action and comedy.” […]
By A.J. Catoline Cathy Repola, National Executive Director of Motion Picture Editors Guild, recently announced to Local […]
By Patrick Z. McGavin Through his collaborations with Judd Apatow, Adam McKay and Paul Feig, Brent White, ACE, is […]
“You’re spending as much time with them as [with] your partner or your wife or your husband.” […]
Text-Based Editing, empowered by AI, starts by automatically transcribing your source media and generating accurate text transcripts of all the dialogue. By associating names to the different voices, Text-Based Editing will automatically identify who’s speaking. […]
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