Web Exclusives
The Editors of HBO’s ‘Euphoria’ Tell the Story Behind Making the High-School Drama
“The editors are elevated has been rare in my experience, and that was something incredibly unique about this show.” […]
Articles by Rob Feld
Web Exclusives
Christopher Tellefsen Talks About Serving Up Edits for ‘The Menu’
“We discussed finding the balance of this ensemble piece, how to hit all the strong notes of nuance, and the obsessive artistry of Chef Slowik.” […]
Features
How the Director of ‘American Murderer’ Found His Perfect Editor, Matt Allen
“American Murderer” tells the true crime story of Jason Derek Brown (Tom Pelphrey), a classic con man swindling his way through a life of debauched luxury. […]
Web Exclusives
Bob Ducsay Explains How the Editing Keeps Viewers Guessing in Murder Mystery ‘Glass Onion’
by Rob Feld In conversation, one gets the sense that Bob Ducsay, ACE, is at core an artist who just […]
Web Exclusives
Jay Prychidny on Editing the Hit Netflix Series ‘Wednesday’
“I wanted to explore holding on her face longer than you otherwise might think to, to get people inside her head.” […]
Web Exclusives
Scott Gershin on Finding the Right Sounds for Guillermo del Toro’s ‘Pinocchio’
“What I found challenging and what required a journey was to find the sound of Pinocchio. Let’s start with wood, so you bang pieces of wood together and you go, ‘Well that doesn’t work.'” […]
Web Exclusives
How the Editing Team Behind ‘Shantaram’ Made the Epic Story of Mumbai Streets Come to Life
“We were juggling a thriller, a love story, and the friendship at the heart of a journey of self-discovery, change, and redemption.” […]
Features
William Caparella Talks About Editing ‘Luck’ and How to Have a Career in Animation
“I think the best thing is having a vision, because it is animation. We don’t have any guide or source track. We build everything from nothing, literally a blank piece of paper.” […]
Web Exclusives
Mike Sale on Editing ‘Black Adam,’ Judd Apatow Movies, and Developing Survival Skills
“I had worked at a movie theater where I saw hundreds of movies in front of audiences, from the late ’70s to the mid-’80s. I watched them so many times—things like ‘E.T.’—that I could tell you what the audience was going to do.” […]
Web Exclusives
Five Editors, ‘Five Days at Memorial’: The Post Team Talks AppleTV’s Post-Katrina Docudrama
“There was a real delicacy with how we wanted to handle everything, so we just had to figure [it] out… We didn’t want to color it in any manipulative way.” […]
