Features
Post ‘Hangover’: Debra Neil-Fisher and Jeff Groth’s Editorial Hair of the Dog
CineMontage interviewed the two editors as they were finishing work on ‘The Hangover Part III.’ […]
Articles by Rob Feld
Features
Larry Silk: ACE 2013 Career Achievement Award Honoree
Lawrence Silk, A.C.E., links his interest in documentaries to an early social consciousness, derived in part from his parents. As a teenager, Silk’s father had guided Eugene Debs through factories near Pittsburgh and, when they moved from Detroit to New York’s Washington Heights, Silk was well aware of the plight of the German Jewish refugees from the war, who were his classmates. […]
Features
Creating a More Immersive Experience
A project so reliant on the most updated, state-of-the-art filmmaking technology that it would have been inconceivable — let alone impossible to realize — even just few years ago, ‘Life of Pi’ presented director Ang Lee and his editor, Tim Squyres, A.C.E., with many challenges in post-production to get this film made. Squyres discussed them with CineMontage. […]
Features
Tim Squyres: The Editor as Eclecticist
The charmed career of Tim Squyres, A.C.E., has evidenced one of the most enduring editor-director partnerships. […]
Features
Darrin Navarro, CineLinguist: ‘Killer Joe’ Editor Is Influenced by Precedents
Darrin Navarro came to editing via a familiar path: An interest in movies led him to film classes at Los Angeles City College. Within a week or two of seeing what could be done by manipulating the choice of moving images, he knew this was the job for him. […]
Features
The Wall Street Shuffle: Pete Beaudreau’s Stock Rises with ‘Margin Call’
Pete Beaudreau spoke to CineMontage about ‘Margin Call’ and his career path. […]
Features
Lights, Camera, Edit!: Joel Viertel’s ‘Adjustment’ to Cutting On-Set
As the on-set, or reference editor, Viertel feels like he’s doing a service for the picture editor, to make sure he has all the resources mapped out the way he would want them. […]
Features
Concertmaster: It’s All Rock ‘n’ Roll
to Editor Mitch Jacobson
Jacobson worked as a freelance director/cameraman shooting for ten years, until he discovered the Avid in 1994. That’s when he began editing. When Jacobson moved to New York, and reconnected with producer Mark Haefeli, his career in big-event, multi-camera editing really took form. […]
Features
Assistant Living: Kyle Gilman Keeps Busy as He Works His Way Toward Editor
CineMontage recently spoke to Kyle Gilman about working with Hal Hartley, as well as his experience as assistant editor on three 2008 features. […]
Features
Improv Ability: For Tass Filipos, It’s as Vital for Music Editors as It Is for Musicians
Tass Filipos tells CineMontage about his experience as a music editor.
