Tim Squyres: The Editor as Eclecticist
The charmed career of Tim Squyres, A.C.E., has evidenced one of the most enduring editor-director partnerships. […]
The charmed career of Tim Squyres, A.C.E., has evidenced one of the most enduring editor-director partnerships. […]
Darrin Navarro came to editing via a familiar path: An interest in movies led him to film classes at Los Angeles City College. Within a week or two of seeing what could be done by manipulating the choice of moving images, he knew this was the job for him. […]
Pete Beaudreau spoke to CineMontage about ‘Margin Call’ and his career path. […]
As the on-set, or reference editor, Viertel feels like he’s doing a service for the picture editor, to make sure he has all the resources mapped out the way he would want them. […]
Jacobson worked as a freelance director/cameraman shooting for ten years, until he discovered the Avid in 1994. That’s when he began editing. When Jacobson moved to New York, and reconnected with producer Mark Haefeli, his career in big-event, multi-camera editing really took form. […]
CineMontage recently spoke to Kyle Gilman about working with Hal Hartley, as well as his experience as assistant editor on three 2008 features. […]
Tass Filipos tells CineMontage about his experience as a music editor.
CineMontage asked Alex Kopit about his background and his approach to assistant editing. […]
Jeff Buchanan’s path to editing his first feature film, director Michel Gondry’s ‘Be Kind Rewind’ has been an unconventional one, skipping some of the usual stops along the way. […]
Joseph DeBeasi has worked as a music editor and composer. Throughout his career, he has developed a keen sense of his job, as it has developed over time, as technician, creative, diplomat and interpreter. […]
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