“I’ve always wished someone would invent a device that I could put on my head and think about how the film should sound.” […]
“The cars became characters in their own right – big and bold and real.” […]
“The show’s music sets the tone.” […]
The Netflix four-part miniseries When They See Us, which dropped May 31, was originally called Central Park 5. That working title identifies the overarching plot trajectory: The notorious case of five teenagers of color who were wrongly convicted of raping a white female jogger in New York, and which resulted in the use of the term “wilding” to describe out-of-control gang activity. The revised title better reflects the fate of the young people unjustly ensnared in the criminal justice system by embracing their humanity and not their politicized role. […]
During the annual NAB Show, which ends its 2019 run at the Las Vegas Convention Center on Thursday, April 11, two leading innovators of picture editing platforms announced new updates and enhancements. […]
With an expected attendance in excess of 100,000 this coming weekend at the Las Vegas Convention Center for key technical sessions, workshops and seminars, the annual NAB Show has become an important venue for post-production professionals. […]
The Odyssey Collection: Complete is a library featuring more than 100,000 sound effects in close to 300 categories. The library was created from sound editors Mark Mangini and Richard L. Anderson’s private archive built-up over 30 years of working in the feature film and TV post-production industries. […]
by Mel Lambert • portraits by Martin Cohen Inspired by the Sabrina the Teenage Witch comic book series from Archie Comics […]
As on previous occasions, the 91st Academy Awards nominees in the Best Sound Editing category covered a number of noteworthy narratives, from the hidden but advanced kingdom of Wakanda, through a biopic of a 1970s rock ensemble […]
Released in 1964, director Robert Stevenson’s original ‘Mary Poppins,’ starring Julie Andrews, Dick Van Dyke, David Tomlinson and Glynis Johns, set a benchmark in the Walt Disney Studios canon of full-energy musicals. […]
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