What Our Members Do: Tim Linehan
In this digital age, the challenge is to be prepared when the machines develop a mind of their own. […]
In this digital age, the challenge is to be prepared when the machines develop a mind of their own. […]
War for the Planet of the Apes, the third chapter of 20th Century Fox’s latest reboot of the Planet of the Apes franchise, opened July 14, almost three years to the day after Dawn of the Planet of the Apes, the second in the series. […]
I’ve worked in NBC’s News Film Archive since 2005. I work freelance, which gives me a nicer contract with a better pay rate, and I still have the MPI health and pension plans. I’m a film librarian and, since 2015, I have been the “chief.” […]
MGM’s The Dirty Dozen, directed by Robert Aldrich, had its world premiere at Loew’s Capitol Theatre on Broadway in New York City 50 years ago, on June 15, 1967. Based on the novel by E.M. Nathanson, it depicts 12 court-martialed American soldiers sentenced to death or long-term prison sentences. […]
“I log and transcribe reality footage and interviews in real time. When I am logging footage, I am typing detailed descriptions of the scenes and noting what is important. When I am transcrib- ing, I am typing what is said in the interviews word for word.” […]
The panel featured two picture editors whose credits include some of the most popular animation/stop motion films of recent times: Jeff Draheim, ACE, and Edie Ichioka, ACE. […]
My job is to dance with footage and strike a pose or two in the routine; I find the best moment, rhythm, angle in the footage. […]
Maybe two-thirds of my job involves reading screenplays, novels, non-fiction books, plays, teleplays and treatments. I evaluate their potential as movie or television projects. […]
More than 40 people filled the Dede Allen Seminar Room at the Hollywood offices of the Motion Picture Editors Guild on Saturday morning, March 18 for the third installment of the four-part “Meet the Artists” discussion series. […]
Early Saturday morning, February 25, the line stretched around the block from the American Cinematheque’s Egyptian Theatre to attend the 17th Annual Invisible Art/Visible Artists program presented by the American Cinema Editors (ACE). […]
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