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HomeAuthorsMichael Kunkes

Articles by Michael Kunkes

About Michael Kunkes
A longtime contributor to Editors Guild Magazine (the predecessor to CineMontage) and the Guild's website, Michael Kunkes was a freelance writer and editor specializing in post-production, production and and animation. He passed away in March 2010.
Features

Brando Talks! and Superman Listens

July 1, 2006

“Brando’s voice and presence serve as a memory bridge back to that time.” – Craig Berkey supervising sound editor/sound designer […]

Features

Superman’s Pals: Even Action Heroes Need Assistants

July 1, 2006

‘Superman Returns’s team of assistant editors, led by Liza Espinas-Regnier, had their hands full, getting this show onto the screen.

[…]

Features

Blue, Gray and Read All Over: Jay Wertz and ‘The Civil War Experience’

March 1, 2006

Jay Wertz has created a lavish and richly detailed combination of words and pictures exploring every major event of what has often been called the first modern war. […]

Features

‘Munich’, Mentoring & Moviolas The Michael Kahn Interview

January 1, 2006

CineMontage spoke with Michael Kahn, in his editing bay in the Howard Hawks building at 20th Century Fox, about ‘Munich’, and his 30-year working relationship with Spielberg. […]

Features

Digital Dreamcatcher: ‘Droidmaker’ Chronicles the Early Years of Lucasfilm

January 1, 2006

Droidmaker takes the reader inside the early years of Lucasfilm’s computer division. George Lucas foresaw a time when film would be replaced by a digital, high-resolution alternative that was neither film nor video. […]

Features

Canned Music Production Libraries for TV Are Now Calling the Tune

December 1, 2005

The public’s demand for feature-quality music in everything from reality shows to full-hour TV dramas–has turned the production music market into a half-billion-dollar-a-year intellectual property based business. […]

Features

When Movies Learned to Talk: A Brief History of Sound in Early Motion Pictures

December 1, 2005

The Kinetophone was the ancestor of a steady line of emerging technologies-film, recording, reproduction and amplification-that through trial and error would converge to create the technology of optical, monaural sound. […]

Features

The Power & the Story: The Screenplay’s the Thing for Story Analysts

September 1, 2005

There is a measure of power to the job of story analyst. […]

Features

Sounds Independent: New York Mixers and Editors Work with New Filmmakers

September 1, 2005

For post sound professionals an independent film is defined largely by little more than faith in their own creative abilities and a desire to help clients. […]

Features

Driving that Train: Editorial Engineers Power ‘Polar Express’

May 1, 2005

During production for ‘The Polar Express’ Multiple creative processes, including editing, storyboarding, writing and designing, were occurring simultaneously. […]

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