The Academy of Motion Picture Arts and Sciences has extended invitations to join the organization to 928 artists and executives from 59 countries — including 37 Editors Guild members in good standing — who have distinguished themselves by their contributions to theatrical motion pictures […]
What was your last interaction with the Editors Guild? If your answer is “paying my dues” or “attending orientation,” this article is for you. Actually, it’s not; it’s for every member. But if those were your answers, I implore you to read on. […]
Giving credit to John Stephens for the development of a portable, 59-pound, battery-operated 8-track machine. […]
“Editing a film is making the film as much as shooting it or writing it is.” Woody Allen told me that when I interviewed him in 1996 for “DGA Magazine,” for which I served as editor. […]
“Great film editing begins with great pictures,” said Barbara “Bobbie” McLean in a 1977 interview in Film Comment magazine. She could make such a gracious statement with authority at that point, after cutting for more than 60 years, beginning as […]
Union staff can’t take the place of the membership. That means you have a role, too. […]
The mission of this newly formed committee is to foster initiatives that promote the Editors Guild’s commitment to diversity, and inclusion for all of our current and future members.
Adorned in every color out in the galaxy, gorgeous drag queens strutted the runway with pizzazz and style in the Editors Guild’s Dede Allen Seminar Room, in clips on screen, though not in person, on a Saturday evening in early April. […]
Conflict between labor and management is nothing new. The period of post-WWII prosperity in which US union density reached its peak was decidedly not an era of labor peace. […]
The Guild’s Dede Allen Seminar Room was transformed into “Dede’s Disco” on a Saturday night, April 21, as members experienced an exciting evening of salsa dancing, Cuban food and socializing at Salsa Night Fever. […]
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