Departments
GETTING ORGANIZED: How the Pandemic Has Changed Our Union, and Us
The past two years have changed our union – and ourselves – in ways we never dreamed […]
Departments
Departments
TECHNOLOGY: How Remote Workflow Has Revolutionized Post-Production
Remote workflow has revolutionized post-production: ‘You can pretty much be anywhere’ […]
From The National Executive Director
Cathy Repola: Moving Forward After Tough Contract Talks
The past few months have been tough, but they point to a bright future. […]
2022
Cut to Black: Jouvens Exantus, Assistant Editor
Assistant Editor whose credits include “King Richard,” “Mindhunters” and “Love, Victor.” […]
2022
Cut to Black: James T. Saunders, Guild Staff Member
Esteemed Guild staff member following a varied life and career that included roles as Re-Recording, Foley and ADR Mixer […]
2022
Cut to Black: Terah “Bishop” Woodley II, Assistant Re-Recording Mixer
Assistant Re-recording Mixer whose credits include “Licorice Pizza,” “Don’t Look Up” and “Dark Web: Cicada 3301” […]
2022
Cut to Black: Vaughn Ross, Supervising Director
Supervising Director whose credits include “Star Wars – Clone Wars,” Rebels,” “Bad Batch,” Resistance” to name a few […]
2022
Cut to Black: Colin Taylor, Picture Editor
Editor whose proudest credits include “An Opry Salute to Ray Charles” and the 79th Annual Academy Award Nominee Packages […]
2022
Cut to Black: Libya El-Amin, Picture Editor
Picture Editor on the new series “Bust Down” on Peacock […]
2022
Cut to Black: Frederick D. Hawthorne, Supervising Editor/Supervising Producer
Supervising Editor and Producer whose proudest credits include “Malcolm X,” “48 Hours” and “Survivor” […]
