Cover Story
How Affonso Gonçalves Found the Right Cuts in ‘The Lost Daughter’
How Affonso Gonçalves brought his ‘alive and buoyant’ editing to ‘The Lost Daughter’ […]
Features
Features
Pam Martin Serves Up the Edits in Tennis Biopic ‘King Richard’
How Pam Martin found the right shots in the tennis biopic ‘King Richard’ […]
Features
WHAT OUR MEMBERS DO: Isabel Yanes, Assistant Editor
“I still miss greeting the office with a daily ‘Hey FAM!'” […]
Features
‘Inside Voices’ Panel Helps Industry Parents of Trans and Gender-Diverse Kids
“I was pretty clueless about what it means to be transgender, and so I didn’t respond well.” […]
Departments
The Show Will Go On, and Labor Has a Role to Play
We have been spending a lot of time at home. […]
Features
MPEG Announces Election Results for 2022 Board
Voters returned 1,584 ballots out of 8,745 mailed out, for a response rate of just over 18%, according to the election manager. […]
Features
WHAT OUR MEMBERS DO: Adam Pearson, Assistant Editor
“Assistant editing is really dualistic. There’s all the technical stuff: dailies intake, media organization and QC, prep for the editor, spot checks and vendor turnover, but it also requires the ability to flip and do a lot of creative work.” […]
Features
‘Black Lady Sketch Show’ Editors Speak Out Following Historic Emmy Win
Daysha Broadway, ACE, who has led the picture editing team since Season One, was joined by Stephanie Filo, ACE, and Jessica Hernández, ACE, for Season Two. They’re the first all-women-of-color editing team to be nominated for and win an Emmy. […]
Features
WHAT OUR MEMBERS DO: Jason Brotman, Assistant Editor and MPEG Board Member
Where are you currently employed? I’m currently working for Sony Pictures Television. I also serve as an assistant editor representative […]
Features
Catrin Hedström on Editing the Sequel to the Slasher Classic ‘Candyman’
Hedström’s recent feature “Candyman,” directed by long-time collaborator Nia DaCosta, is a sequel to the 1992 slasher classic. […]
