For 87 years, since its beginning, “Taking care of our own”––regardless of ability to pay––has been the primary mission of the Motion Picture & Television Fund, as it offers health care, child care, social and charitable services, and a first-rate retirement community. […]
Foley was a name that stuck to the process, the location and the very special group of craftspeople who became, next to the physical actors, perhaps the most important performers in a motion picture. […]
‘Taking Woodstock’ is a movie of source music—and not just the kind that comes from a radio playing on a tabletop. Designed to blend seamlessly with the needle-drop tunes, a lot of that was provided by the “live” hippies. […]
A very brief history of the Oscar Award for Sound Editing. […]
Let us introduce ourselves: We are the Membership Outreach Committee. The committee was established by the Editors Guild Board of Directors as an avenue through which members can interact with each other to generate and distribute solutions to issues that you, the membership, help identify. […]
The documentary form has been around since the beginning of cinema, and over the past 15 years, pundits have bruited this past decade and a half as “The Golden Age of Documentaries.” No matter the platform — theatrical, television or online — documentary has transformed itself from the margins to the mainstream as a galvanizing and provocative art form. […]
Looking back on a fulfilling career, David Saxon reflected on his affinity for editing. […]
“I worked with the sound people creating the backgrounds for the radio station, commercials, and newscasts-it opened my eyes to post-production. That’s when I realized I’d like to be a music editor.” – Bill Abbott
Cinemontage talked to Robert Knudson in his office on Seward Street for this two-part interview. […]
Robert Knudson talks about schedules, ‘eye-ear coordination’ and drugs and alcohol in the ’60s. […]
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