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Like Mother, Like Son: Tom Fleischman Joined the Family Business
CineMontage spoke with Tom Fleischman about his mother (Dede Allen) and what he learned from her. […]
CineMontage spoke with Tom Fleischman about his mother (Dede Allen) and what he learned from her. […]
CineMontage spoke to a handful of Los Angeles-based colorists to get a picture of what telecine was, how technology has transformed it, and how they see their role in the color correction suite. […]
Tass Filipos tells CineMontage about his experience as a music editor.
Hollywood’s oldest studio’s stock footage library came into existence in the mid-1920s. For the majors, whether or not to develop a stock footage library has always been a business decision. […]
Guild engineers are self-admitted gearheads who just plain love to fix things. […]
Watching movies and TV shows all day––and getting paid for it–– sounds like a dream job, but it’s serious work for quality control and videotape operators. Both are technical jobs, but the digital age has morphed them into a way more creative and challenging endeavor. […]
For 87 years, since its beginning, “Taking care of our own”––regardless of ability to pay––has been the primary mission of the Motion Picture & Television Fund, as it offers health care, child care, social and charitable services, and a first-rate retirement community. […]
Foley was a name that stuck to the process, the location and the very special group of craftspeople who became, next to the physical actors, perhaps the most important performers in a motion picture. […]
‘Taking Woodstock’ is a movie of source music—and not just the kind that comes from a radio playing on a tabletop. Designed to blend seamlessly with the needle-drop tunes, a lot of that was provided by the “live” hippies. […]
A very brief history of the Oscar Award for Sound Editing. […]
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