
Shoot, Then Rewrite: New Book Explores How Editors Can Help Make Documentaries Soar
By Roger Nygard After a screening of “The Great Buster” (2018), a documentary about silent-film star Buster Keaton, director […]
By Roger Nygard After a screening of “The Great Buster” (2018), a documentary about silent-film star Buster Keaton, director […]
Foley and Sound FX Editor who has whose credits include “The Mandalorian,” “Shang Chi & The Legend of the Ten Rings,” “The Suicide Squad,” and “Raya & the Last Dragon” […]
Ken Burns did it. So did Michael Moore. But a lot of documentary filmmakers don’t go union. Is that about to change? […]
The Television Academy revealed nominations Tuesday for the 72nd Emmy Awards, with Netflix dominating the field with 160 nominees led by its drama Ozark. Listed are nominees for classifications represented by the Editors Guild. […]
Every day, our tireless MPEG Field Reps work hard to get you answers to your workplace questions. And every quarter, they do it right here at CineMontage. So let’s get to a burning question! […]
Faced with a demanding career and a time-crunched personal life, a veteran film editor is behind a new system designed to help colleagues find the right balance. […]
Dan Dillon of Erie, Colorado passed away June 6, 2015 in Denver, Colorado after suffering a fall. He was 76. Born January 14, 1939 in Chicago, Illinois […]
Eighty years after its February 22 premiere, ‘It Happened One Night’ remains one of the best films Hollywood has ever made. […]
Hollywood’s business is the merchandising and recycling of myth — especially the myth of the tragic Hollywood star (Judy Garland, Marilyn Monroe, Elvis Presley, etc.) in biopic or documentary form. […]
The editor described the first part of the picture as “quite humorous at times,” which would have helped audiences accept the tragedy of the second half. […]
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