
Brent White, Editor of Jennifer Lawrence Hit ‘No Hard Feelings,’ Talks About Cutting Comedy
By Patrick Z. McGavin Through his collaborations with Judd Apatow, Adam McKay and Paul Feig, Brent White, ACE, is […]
By Patrick Z. McGavin Through his collaborations with Judd Apatow, Adam McKay and Paul Feig, Brent White, ACE, is […]
By Su Fang Tham With its entrancing medley of neon-drenched kinetic action, pulpy narrative, and a retro-cool mythological world, director […]
“You’re spending as much time with them as [with] your partner or your wife or your husband.” […]
“Try to be up to date on both Avid and Premiere. I am seeing more and more job postings for Premiere.” […]
“My favorite part of this movie was that it allowed me to play. They handed me all the bells and whistles and said go for it, and find the balance.” […]
Text-Based Editing, empowered by AI, starts by automatically transcribing your source media and generating accurate text transcripts of all the dialogue. By associating names to the different voices, Text-Based Editing will automatically identify who’s speaking. […]
“I was first drawn to film editing because of how similar it felt to writing. It’s the part of the process where you give language to cinema.” […]
“I remember being stunned when I saw the first episodes with the cars floating freeform and the robots without the puppeteers.” […]
“Part of the trick of being an editor involves the politics of being a good soldier while also doing your best to protect the integrity of the cut and doing what you know will work.” […]
“I have always been fascinated with sound in films.” […]
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