Shelly Westerman on Editing for Nora Ephron, ‘Only Murders In the Building,’ and More
“Richard Marks said 40% of the job is editing, and 60% is interpersonal relationships. It’s so true.” […]
“Richard Marks said 40% of the job is editing, and 60% is interpersonal relationships. It’s so true.” […]
“If the performance is fantastic, if the story is being told, why interrupt that with a cut?” […]
By Patrick Z. McGavin Editor Nicholas Monsour is riding the zeitgeist with an ideal collaborator, Jordan Peele, the comic actor […]
“The biggest job challenge was definitely making the decision to leave where I was comfortable for the opportunity to grow. It’s scary, but necessary.” […]
“Being a bit of a financial obsessive (my friends just call me cheap), I figured it was time to do a deep dive into what my MPI pension had in store.” […]
Pride, protest and passion echoed through the halls and into the streets of the 78th annual IATSE District 2 convention in San Francisco on June 25. […]
“It’s this love story between two guys, and that is what hooked me—this relationship we have, and the emotions these guys go through. It hits at the right tones. It’s relevant without being preachy.” […]
In reading works by authors prior to commercial publication, story analyst Donna Choo has the opportunity to flag emerging or underrepresented voices who “just need time to develop” before having their pieces adapted for visual audiences. “I feel like I’m infiltrating in my own way,” she said. […]
Where are you currently employed? I’m in between projects at the moment. Current projects? The last movie I worked […]
By Rob Feld When she was 13 years old in Peru, Sandra Montiel’s uncle, a filmmaker, came to visit her […]
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