After “Sully,” Murray cut “The 15:17 to Paris” for Eastwood, “Glass” for M. Night Shyamalan, and recently finished “The Water Man” for actor-cum-director David Oyelowo. […]
“I did an edit without his input and sent it to him at his home in Russia. Though he didn’t say so at the time, he hated it.” […]
“With digital everything comes to you. That means you have a lot more to look at, a lot more to assess.” […]
Many members paid particularly close attention to the upcoming Basic Agreement talks, the first since the contentious negotiations in 2018 in which the Editors Guild, alone among IA locals, voted down the proposed contract. […]
For the first time this year, the Academy has combined Sound Editing and Sound Mixing into one category, Best Achievement in Sound. […]
“I’ve never worked for awards and wouldn’t ever imagine that it would be possible.” […]
“Bobby is the kind of guy who could do just about anything,” one colleague says. […]
The Warner Bros. release marks the editor’s latest collaboration with King. Sprague also edited King’s feature debut, “Newlyweeds” (2013). The film has already won widespread acclaim and has a score of 96% on Rotten Tomatoes and 86% on Metacritic, the review aggregation websites. […]
“Working with Charlie, there are many layers. He is so great at understanding the process.” […]
The company agreed to recognize the union after an arbitrator certified last week that a majority of the employees had signed union authorization cards. […]
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