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HomeWeb Exclusives

Web Exclusives

Web Exclusives

Oscar-Nominated Editor Joe Klotz Talks About Bringing It All Back Home in ‘Motherless Brooklyn’

November 13, 2019

“We had different noir films that were our touchstones, like ‘Chinatown’ in particular.” […]

Committee News

Empathy for Showrunners? Yes, and Much More at MPEG’s Workshop for Newly Promoted Assistant Editors

December 4, 2019

“You have to work your courage muscle to develop a sense of self-confidence.” […]

Web Exclusives

How Can Women Advance in Post Careers? Four Top Pros Shared Their Tips and Personal Stories at Power Summit

October 28, 2019

The panel, moderated by Guild National Executive Director Cathy Repola, offered a front-line perspective on issues faced by women in post-production, with tips, personal stories and practical wisdom from four pros in the industry. […]

Web Exclusives

Guild Chief Cathy Repola Says Upcoming Netflix Negotiation Represents ‘Watershed’ Labor Moment: PODCAST

October 23, 2019

“This is a watershed moment,” said Editors Guild National Executive Director Cathy Repola who has released a podcast discussing how “these negotiations will provide a unique opportunity to set the pattern for these types of agreements.” […]

Web Exclusives

Louise Ford On Editing Robert Pattinson and Willem Dafoe in ‘The Lighthouse:’ ‘There Are Real Supernatural Elements Here’

October 18, 2019

“I revel in being lost.” […]

Web Exclusives

Randy Thom on ‘Making Waves,’ the Documentary That Gives Voice to 90 Years of Sound in Movies

October 10, 2019

“Sound is generally undervalued as a creative asset, and sound people are undervalued as creative contributors.” […]

Web Exclusives

Jeff Groth on Editing Joaquin Phoenix in ‘Joker’: ‘He Was Free to Experiment, So He Did’

October 4, 2019

“We wanted to do something different, not just from Batman, but from all comic-based films.” […]

Web Exclusives

Tom Eagles on Editing Taika Waititi’s ‘Bonkers’ Hitler Movie ‘Jojo Rabbit:’ The ‘Tone Was a Tightrope Walk From the Start’

October 17, 2019

“We had to make people feel comfortable enough to laugh, without beveling off any of the hard edges or flinching from the subject matter.” […]

Web Exclusives

Kayla Emter On Editing Club Scenes, Chopin Music and J-Lo’s Sexy Pole Dance in Lorene Scafaria’s ‘Hustlers’

September 26, 2019

“There were a few dance moves that made my jaw drop.” […]

Web Exclusives

Kirk Baxter Talks About Methods and Madness in Editing Netflix’s ‘Mindhunter’

September 25, 2019

“I am trying to outgrow the part where you loathe yourself until you like the scene.” […]

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