Asked to reflect on his many career achievements and adventures while he’s sitting in his Los Angeles living room on a warm October afternoon, Oscar-winning editor Jerry Greenberg, ACE, briefly hesitates. […]
Editing in the world of Reality Television is nothing like editing scripted drama, comedy or MOWs in television. It’s not the craft that’s dissimilar; it’s the approach, terminology and producer structure. […]
Robert Wise’s quiet leadership was rooted in a seemingly easy going inner security, a palpable respect for others. […]
I met Sandy, my future wife there and we soon married. She was a film editor’s daughter––but I had no idea how that would change my life… […]
Scott Stambler is normally a music editor––but on this version of Payback, he’s composing for the first time. […]
Hutshing’s career has certainly come a long way from the time he arrived in Los Angeles after college in 1981 and hustled for work by advertising himself as an “editor for hire” on the bulletin boards at UCLA. […]
Richard Hymns is busy working on the film with assistant supervising sound editor Andre Fenley and sound designer Frank Eulner at Skywalker Sound in Marin County, California […]
Since she discovered her passion for post-production while studying film at the University of California Santa Barbara, there was nothing up in the air about the career choice of Dana Glauberman, A.C.E. […]
Through several TV projects and five feature films, the relationship between editor Dan Lebental, A.C.E., and director Jon Favreau has evolved to the point where Lebental views himself as Favreau’s creative consultant when it comes to helping the director figure out exactly where his movies are going. […]
CineMontage interviewed the two editors as they were finishing work on ‘The Hangover Part III.’ […]
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