Navigating the Z-Axis: Adventures in Stereography
Ray Zone has left for us the most comprehensive and up-to-date history of how stereoscopic film attracts us. […]
Ray Zone has left for us the most comprehensive and up-to-date history of how stereoscopic film attracts us. […]
After my first editing exercise, I was hooked. Editing was how dreams were made! […]
The very title of this book makes its basic premise dubious. […]
In the summer of 1983, Risky Business opened to healthy box office returns and launched Tom Cruise’s rise to superstar status. […]
When nonlinear editing systems first appeared nearly 25 years ago, a lot of people scratched their heads. Who could edit with a picture you could barely see and a hard drive that couldn’t hold even a reel of images, on a new-fangled personal computer that was likely to crash? […]
Be kind and respectful to everyone with whom you work — from the production assistant all the way to the executive producer — because your PA might become your EP before too long. And with every cut, everyone, including me, becomes a better editor. […]
At a preview screening of the film Chinatown in summer 1974, an official from the City of Los Angeles Department of Water and Power is reported to have remarked, […]
Most directors strive to set a tone on their movie sets. Director Alan Rudolph, however, establishes the mood before the cameras roll. […]
Right, how do we want to do this? I know, let’s start gently with, ‘Welcome back to the show’ before the break…then we’ll go with the classic segue, ‘Someone else with high hopes is…’ Make sure you inflect at the end there. And we’ll finish with an epic, ‘Twenty nervous contestants…but only one…will change…his life…forever!!!’” […]
In the countless comedies he has written, directed and starred in during his 50-year career, Woody Allen comes across as a chatterbox. His on-screen persona is forever opining, grousing or whining about one thing or another. […]
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