When Jacques Gravett, ACE, first started working in television, any talk of diversity in Hollywood was a long way off. The industry was comprised of mainly men, most of them white. […]
Music editor Mitsuko Alexandra Yabe exemplifies the possibilities offered by the world of post-production if one is willing to throw oneself in and find one’s way. Yabe was born in New York but grew up in Tokyo, where she trained in violin and taught herself guitar. […]
ADR/Foley mixer Jesse Dodd, CAS, MPSE, never doubted that her career would be in show biz. […]
“Great film editing begins with great pictures,” said Barbara “Bobbie” McLean in a 1977 interview in Film Comment magazine. She could make such a gracious statement with authority at that point, after cutting for more than 60 years, beginning as […]
The mission of this newly formed committee is to foster initiatives that promote the Editors Guild’s commitment to diversity, and inclusion for all of our current and future members.
Adorned in every color out in the galaxy, gorgeous drag queens strutted the runway with pizzazz and style in the Editors Guild’s Dede Allen Seminar Room, in clips on screen, though not in person, on a Saturday evening in early April. […]
How has societal change affected women in post production? […]
The Guild’s Dede Allen Seminar Room was transformed into “Dede’s Disco” on a Saturday night, April 21, as members experienced an exciting evening of salsa dancing, Cuban food and socializing at Salsa Night Fever. […]
by MPEG Diversity Committee In the last issue of CineMontage (Q3 2016), the Editors Guild’s Diversity Committee was introduced. This very […]
Amazon Studios’ “Transparent” is arguably much more than just a hit web series. It’s a phenomenon that pushes the envelope in terms of social, political and gender-role mores. […]
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