
PPASC: Tom Cross and Ai-Ling Lee Give Master Class on Editing, Career and Life
“It’s not about realism after a certain point. It’s about emotional value.” […]
“It’s not about realism after a certain point. It’s about emotional value.” […]
Zack Snyder’s “Army of the Dead,” which Netflix will release in theaters and via streaming on Friday, merges two seemingly irreconcilable genres: the zombie movie and the heist movie. […]
Traditionally, a picture editor was the person snipping celluloid together, writes Anousha Sakoui in The Los Angeles Times. Like many roles in Hollywood, the route into the industry is not clear-cut. Here’s a primer on […]
After “Sully,” Murray cut “The 15:17 to Paris” for Eastwood, “Glass” for M. Night Shyamalan, and recently finished “The Water Man” for actor-cum-director David Oyelowo. […]
It always upset me that people felt that I needed to change in their eyes, that I was never good enough in my own skin or attire. My true identity was constantly challenged through the early years of my career. […]
“I did an edit without his input and sent it to him at his home in Russia. Though he didn’t say so at the time, he hated it.” […]
“With digital everything comes to you. That means you have a lot more to look at, a lot more to assess.” […]
The Pandemic has Forced Parents in Post Careers to be More Resourceful than Ever […]
“I’ve never worked for awards and wouldn’t ever imagine that it would be possible.” […]
“Bobby is the kind of guy who could do just about anything,” one colleague says. […]
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