It always upset me that people felt that I needed to change in their eyes, that I was never good enough in my own skin or attire. My true identity was constantly challenged through the early years of my career. […]
“I did an edit without his input and sent it to him at his home in Russia. Though he didn’t say so at the time, he hated it.” […]
“With digital everything comes to you. That means you have a lot more to look at, a lot more to assess.” […]
The Pandemic has Forced Parents in Post Careers to be More Resourceful than Ever […]
“I’ve never worked for awards and wouldn’t ever imagine that it would be possible.” […]
“Bobby is the kind of guy who could do just about anything,” one colleague says. […]
by A.J. Catoline “I have to pinch myself at times,” said picture editor James D. Wilcox, ACE. Wilcox has good […]
“Working with Charlie, there are many layers. He is so great at understanding the process.” […]
Whether it’s revisiting a historical event or amplifying the confusion emanating from a lead actor, each of this year’s Oscar-nominated film editors was faced with unique challenges to make their stories work. For Sound of Metal, it was […]
Ken Burns did it. So did Michael Moore. But a lot of documentary filmmakers don’t go union. Is that about to change? […]
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