A change in movie storytelling and editing was already under way when French film critic and soon-to-be film director Alexandre Astruc wrote these words in an article in the magazine Écran Français in 1948. […]
To those who knew him best, film editor Philip Cahn, who was born June 18, 1894, in New York City, was not a rabble-rousing sort. […]
In a way, Ben Lewis, one of the three founding members of the Society of Motion Picture Film Editors (SMPFE) — now the Motion Picture Editors Guild — was the quintessential company man, working 45 of his 52 years in the cutting room at Metro-Goldwyn-Mayer. […]
As soon as the MAY-JUN 12 issue of CineMontage — featuring “The 75 Best Edited Films” as selected by Editors Guild members — arrived in mailboxes, readers’ comments immediately ensued: Why was (insert title of your favorite film here) not included? […]
You Can’t Tell the Movies Without a Scorecard! […]
As the upcoming film Moneyball makes expressly clear, Baseball is a game of statistics––something rarely, if ever, touched on in any of the movies about the sport since the first Baseball movie arrived in 1898. […]
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