Web Exclusives
Walter Murch Talks Editing a Key Piece of Iranian History in New Doc ‘Coup 53’
by Mel Lambert “The editor of an unscripted documentary is always, by the nature of the task at hand, a […]
Film
Web Exclusives
With ‘Hopper/Welles,’ Editor Bob Murawski Captured Two Hollywood Originals
It’s an after-hours conversation between actor Dennis Hopper and director Orson Welles in November 1970. […]
Web Exclusives
JC Bond on Editing Amazon’s Romantic Drama ‘Chemical Hearts’
“It was like a match made in heaven.” […]
Cover Story
Picture Editor Shannon Baker Davis on Work, Family, and Editing Universal’s ‘The Photograph’
Shannon Baker Davis, ACE, has come a long way from Georgia. The picture editor moved to Hollywood after college and […]
Web Exclusives
Amid a Real-Life Pandemic, Stephen Mirrione Recalls Editing the Terror of ‘Contagion’
“Your brain is trying to keep up and fill in the blanks, and you realize this thing is going faster than you can keep control of in your head.” […]
Features
Nat Sanders on Editing ‘Just Mercy’: Lost Sleep and a Delayed Honeymoon to Tell an ‘Emotional and Raw’ Tale
“I lost the most sleep and had the most revelations in the shower while working on this film.” […]
Web Exclusives
What Our Members Do: Brian Brennan, Trailer Editor
“You don’t see our names on the credits, but hopefully we did our part to get people’s attention and put butts in the seats on opening weekend.” […]
Awards
From ‘Ford v Ferrari’ to ‘Parasite,’ Oscar’s Favorite Picture Editors Break Down the Year’s Top Films at IAVA
All of the Oscar-nominated editors appeared at a panel discussion during the American Cinema Editors’ 20th Annual “Invisible Art, Visible Artists” (IAVA) to talk about their films, their careers, and their craft. […]
In Memoriam
Marty Cohen, Celebrated Post-Production Executive, Dies at 67
He was the recipient last October of the Guild’s Fellowship and Service Award, given to professionals who have advanced the interests of post-production and the labor movement. […]
Web Exclusives
A Hip-Hop, Sci-Fi, Pro-Union, Cold-Calling Comedy: Terel Gibson on Editing the Summer Hit ‘Sorry to Bother You’
The film is about a campaign to organize workers in a union, while exploring hip-hop culture, the obstacles to black success in America, how capitalism crushes the soul, and how corporations have a dark secret to hide. […]
