
A ‘Stagecoach’ Ride to a Film Career
In 1966, there were worse places to grow up than Iowa. My hometown, Marion, was a ten-minute bus ride from Cedar Rapids with its department stores, book and record shops, and three movie houses. […]
In 1966, there were worse places to grow up than Iowa. My hometown, Marion, was a ten-minute bus ride from Cedar Rapids with its department stores, book and record shops, and three movie houses. […]
You might say that Tommy Vicari, CAS, is the beneficiary of good timing. A few years after director Sam Mendes and composer Thomas Newman were the toast of the film world for the Academy Award-winning American Beauty (1999), Vicari was asked to serve as scoring mixer on their follow-up film, Road to Perdition (2002). […]
by Rob Callahan Last June, my column in these pages invoked the cinematic trope of the cliffhanger to describe a […]
Two thousand eighteen has been a year of great awakening for our Guild — an awakening as to who and what we really are as a labor union. We stood with our principles, refusing to abandon them in order to be socially accepted. […]
In a year that’s featured contentious debates over the #MeToo movement, ‘On the Basis of Sex,’ which opens on Christmas Day, is the most timely holiday present imaginable. […]
When Lee Dichter, CAS, was informed that he would receive the Motion Picture Editors Guild’s 2018 Fellowship and Service Award, it did not take long for the veteran sound re-recording mixer to accept. […]
The Motion Picture Editors Guild will honor veteran sound re-recording mixer Lee Dichter, CAS, with its prestigious Fellowship and Service Award at The Sheraton New York at Times Square on October 20, 2018. […]
2017 Wonder Wheel 2016 Café Society 2015 Everything Is Copy (Documentary) Irrational Man 2014 A Walk Among the Tombstones Rosewater […]
As a Foley artist, Nancy Parker, MPSE, is tasked with creating the sounds of major life events for characters on-screen. “I go to work and I may perform open-heart surgery, or I may saddle, bridle and ride a horse,” she says. […]
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