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Union Made: When an Artist Finds His Canvas
It was editing that seduced me. To me, it was choreography, and I knew I had the instinct for it. […]
It was editing that seduced me. To me, it was choreography, and I knew I had the instinct for it. […]
A story of a personal experience I recently had with the Motion Picture Television Fund. […]
I will forever remember Donn Cambern’s advice over 30 years ago in that grocery store: “Persistence, determination and optimism.” […]
Editors and story analysts both use their considerable skills and training to hone and finesse a film’s story. […]
Knowing these things before you start a job can save you a lot of headaches later on. […]
Yes, after the Editors Guild, life does go on. […]
I am still passionately involved—working with clients who require cost-effective methods of designing post-production facilities, recording studios, acoustics and home theatres internationally and am proud to be part of this strenuous but great business. […]
People seem to have the impression that I sit in a big office with millions of films which I loan out to interested borrowers… My actual job involves locating stock shots or establishing shots to include in various television shows and feature productions. […]
Freelancing is certainly not for everyone. […]
Even though I grew up on black-and-white television, color became my way of life. […]
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