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Is There Life After Retirement?

January 1, 2010

Yes, after the Editors Guild, life does go on. […]

UNION MADE: How Does One Become a Sound Engineer Anyway?

March 1, 2010

I am still passionately involved—working with clients who require cost-effective methods of designing post-production facilities, recording studios, acoustics and home theatres internationally and am proud to be part of this strenuous but great business. […]

UNION MADE: The Lady in the Library

May 1, 2010

People seem to have the impression that I sit in a big office with millions of films which I loan out to interested borrowers… My actual job involves locating stock shots or establishing shots to include in various television shows and feature productions. […]

The Fine Line of Freelancing

July 1, 2010

Freelancing is certainly not for everyone. […]

UNION MADE: My Colorful Career

March 1, 2011

Even though I grew up on black-and-white television, color became my way of life. […]

UNION MADE: A Long and Winding Career Path

July 1, 2011

I arrived in Hollywood with no contacts––and as I observed the inner workings of the business, I felt that what I learned in college was horribly insufficient for me to succeed. So I opened myself up to any job I could get, observing everyone and everything. […]

UNION MADE: How I Got to Determine What Movies Get Made

July 10, 2012

We “cover” mostly screenplays, but also novels (some pre-publication), newspaper and magazine articles, plays — any potential source for a good story or lead character. We evaluate old movies for their potential as contemporary remakes, and foreign movies as possible American remakes. […]

Did You Hear the One About the Farmer’s Daughter Who Wound Up in the Editing Room?

November 1, 2012

I remember sitting in the theatre watching Ingmar Bergman’s Wild Strawberries and being blown away by the visual metaphors in this movie. His opening dream sequence — the clock with no hands, the coffin spilling out of the hearse — captured my imagination. […]